Chrissy Guest, Ithaca College This production course assignment uses archive research techniques to cultivate course discussions around the power of science fiction in establishing empathy and social change. Using the…
Read More
“A homage to Dusky Maiden images as well as a playful take on the low art of velvet painting, Sima Urale’s Velvet Dreams provides a tongue-in-cheek exploration of Pacific Island stereotypes. Part…
Professor Melanie E.S. Kohnen, Georgia Tech University Full syllabus available here: http://homes.lmc.gatech.edu/~mkohnen3/Kohnen_Syllabus_Queer_Film_and_Video.pdf Additional teaching materials here: http://homes.lmc.gatech.edu/~mkohnen3/index_tp.html “This class explores how LGBT and queer identities, lives, and communities have become visible in…
Download the assignment at Teaching Media Quarterly here: http://pubs.lib.umn.edu/tmq/vol1/iss3/3/ Professor Tia Tyree, Howard University “This assignment is a critical examination of how rappers and consumers view gender and sexuality representations and…
Full assignment here: http://www.teachingmedia.org/group-television-pitches/ “Basically, I want to bring Banet-Weiser’s idea of racial ambivalence and her overarching argument to life by having students try to envision representations of race and difference…
Splitscreen of Grease Live! on air and in the control room as the associate director calls the shots.
Reality television series about Jazz, a transgender teen girl. https://www.tlc.com/tv-shows/i-am-jazz/
On every episodic television series, a production meeting is held a couple of days in advance of the start of a new episode. Each of the series’ department heads, along with the producers, director, writer and post production personnel attend the meeting to discuss the technical and creative elements required to shoot that particular show.
