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female

Jul 10
Love0

Carmilla (Jordan Hall, 2014-2016,)

By Jennifer Proctor

Laura Hollis is three weeks into her first semester at Sillas University, and things have gotten off to a weird start. Goat sacrifices and a self-aware library catalog aren’t exactly…

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Jul 10
Love0

The “Other” Love Story (Roopa Rao, 2016-)

By Jennifer Proctor

The ‘other’ love story is a journey of 2 young girls who fall in love and they act on it without thinking twice There is a lot of stigma associated…

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Jul 10
Love0

The Misadventures of Awkward Black Girl (Issa Rae, 2011-)

By Jennifer Proctor

J, an awkward black girl, navigates the embarrassing minefield of love, friendship, and office politics.

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Jul 10
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Brown Girls (Fatimah Asgar, Sam Bailey, 2017)

By Jennifer Proctor

“‘Brown Girls’ is an intimate story of the lives of two young women of color. Leila is a South Asian-American writer just now owning her queerness. Patricia is a sex-positive…

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Jul 09
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Grease Live! Control room (associate director Carrie Havel, 2016)

By Jennifer Proctor

Splitscreen of Grease Live! on air and in the control room as the associate director calls the shots.

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Jul 08
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The Dragon Is The Frame (Mary Helena Clark, 2014)

By Jennifer Proctor

An experimental detective film made in remembrance: keeping a diary, footnotes of film history, and the puzzle of depression.

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Jul 08
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Remote (Jesse McLean, 2011)

By Jennifer Proctor

In the collage video Remote, dream logic invokes a presence that drifts through physical and temporal barriers. There is a presence lingering in the dark woods, just under the surface…

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Jul 08
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The Seashell and the Clergyman (Germaine Dulac, 1928, France)

By Jennifer Proctor
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Jul 08
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The Smiling Madame Beudet (Germaine Dulac, 1923, France)

By Jennifer Proctor

Very early example of feminist film revealing feminine subjectivity.

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Jul 08
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A still image of a poor family outside a shack in the film Stranger with a Camera

Stranger with a Camera (Elizabeth Barret, 2000, USA)

By Jennifer Proctor

From PBS: “In the coal-mining heart of Appalachia’s “poverty belt,” where residents have felt alternately aided and assaulted by media exposure, the 1967 murder of filmmaker Hugh O’Connor still stirs…

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